Figure study for ‘The Hours’; sketch for mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 II
A hand-painted replica of Edwin Austin Abbey’s masterpiece Figure study for ‘The Hours’; sketch for mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 II, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.
Edwin Austin Abbey's Figure Study for ‘The Hours’; Sketch for Mural for the State Capitol Building in Harrisburg, Pennsylvania, 1902-1911 II is a preparatory work created as part of the artist's extensive contributions to the Pennsylvania State Capitol. Abbey, an American painter and illustrator, was commissioned to design murals for the interior of the Capitol building, a project that spanned several years and showcased his mastery of historical and allegorical themes.
This particular figure study is one of many sketches Abbey produced during the planning and execution of the murals. The work reflects his meticulous approach to composition and his dedication to capturing the human form with precision and grace. The title suggests that the study was intended as part of the larger mural series, specifically related to the allegorical representation of "The Hours." Abbey's murals for the Capitol often incorporated symbolic figures and narratives, drawing inspiration from classical mythology, history, and literature.
The Pennsylvania State Capitol, completed in 1906, is renowned for its architectural and artistic grandeur, with Abbey's murals playing a significant role in its decoration. His contributions include the series of lunettes and panels in the House and Senate chambers, which depict themes of justice, wisdom, and governance. While the final murals are celebrated for their intricate detail and allegorical depth, the preparatory studies, such as this one, offer insight into Abbey's creative process and his ability to translate complex ideas into visual form.
Abbey's work on the Capitol murals was one of the most significant undertakings of his career, but it was also physically demanding. He passed away in 1911, before completing all aspects of the project. Despite this, his contributions remain a testament to his artistic vision and skill.
The Figure Study for ‘The Hours’ is an example of Abbey's draftsmanship and his ability to convey movement and emotion through his sketches. These preparatory works are valued not only as steps in the creation of the final murals but also as standalone pieces that highlight Abbey's talent and dedication to his craft.
