View of Kom Ombo

A hand-painted replica of David Roberts’s masterpiece View of Kom Ombo, meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

"View of Kom Ombo" is a lithograph created by the Scottish artist David Roberts in the 19th century. David Roberts (1796–1864) was a prominent painter and lithographer known for his detailed and romanticized depictions of architectural and historical sites, particularly in the Middle East and North Africa. His works were instrumental in introducing European audiences to the landscapes and monuments of these regions during the 19th century.

The lithograph "View of Kom Ombo" is part of Roberts' renowned series of works based on his travels to Egypt and the Near East between 1838 and 1839. These travels were documented in his publication The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a collection of lithographs produced from his original sketches. The series was published between 1842 and 1849, with lithography by Louis Haghe, a Belgian lithographer celebrated for his skill in reproducing Roberts' detailed and atmospheric drawings.

The artwork depicts the Temple of Kom Ombo, an ancient Egyptian temple located in Upper Egypt, near the modern city of Aswan. The temple is unique for its dual dedication to two deities: Sobek, the crocodile god, and Horus the Elder, the falcon-headed god. Built during the Ptolemaic period (circa 180–47 BCE), the temple features symmetrical design elements to honor both gods equally. Roberts' lithograph captures the grandeur of the temple's ruins, showcasing its massive columns, intricate carvings, and the surrounding landscape. The composition reflects Roberts' ability to combine architectural accuracy with a sense of romanticism, which was highly appealing to his European audience.

David Roberts' works, including "View of Kom Ombo," were significant in shaping Western perceptions of Egypt and the broader Middle East during the 19th century. His detailed depictions of ancient monuments and landscapes contributed to the growing interest in Egyptology and the preservation of historical sites. The lithographs also served as valuable visual records of these sites during a period when photography was still in its infancy.

Today, "View of Kom Ombo" is appreciated both as an artistic achievement and as a historical document. It provides insight into how 19th-century European artists and audiences viewed and interpreted the ancient world. Roberts' works, including this lithograph, are held in high regard and can be found in various collections and institutions dedicated to art and history.