Interior of the Temple of Aboo Simbel. Nov. 9th, 1836. Nubia.

A hand-painted replica of David Roberts’s masterpiece Interior of the Temple of Aboo Simbel. Nov. 9th, 1836. Nubia., meticulously crafted by professional artists to capture the true essence of the original. Each piece is created with museum-quality canvas and rare mineral pigments, carefully painted by experienced artists with delicate brushstrokes and rich, layered colors to perfectly recreate the texture of the original artwork. Unlike machine-printed reproductions, this hand-painted version brings the painting to life, infused with the artist’s emotions and skill in every stroke. Whether for personal collection or home decoration, it instantly elevates the artistic atmosphere of any space.

"Interior of the Temple of Aboo Simbel. Nov. 9th, 1836. Nubia." is a lithograph based on a drawing by the Scottish artist David Roberts (1796–1864). Roberts was a prominent painter and lithographer known for his detailed and romanticized depictions of architectural and historical sites, particularly in the Middle East and North Africa. This artwork is part of his renowned series of works documenting his travels in Egypt and Nubia, which were later published in the monumental collection The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia (1842–1849).

The lithograph depicts the interior of the Great Temple of Abu Simbel, one of the most famous archaeological sites in Egypt. The temple, originally carved into a mountainside during the reign of Pharaoh Ramesses II in the 13th century BCE, is dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to Ramesses himself. The interior features massive statues of the pharaoh and intricate carvings that celebrate his military victories and divine status. Roberts' depiction captures the grandeur and scale of the temple's interior, emphasizing the monumental columns and statues that line the hall.

David Roberts visited Abu Simbel during his journey along the Nile River in 1838, part of a larger expedition to document the ancient monuments of Egypt and Nubia. His sketches and paintings were later transformed into lithographs by Louis Haghe, a Belgian lithographer renowned for his skill in reproducing detailed and atmospheric scenes. The lithographs were highly praised for their accuracy and artistic quality, and they played a significant role in popularizing ancient Egyptian monuments in Europe during the 19th century.

Roberts' work is notable for its combination of artistic interpretation and documentary value. While his depictions are often romanticized, they provide valuable historical records of these sites before modern restoration efforts and the construction of the Aswan High Dam, which led to the relocation of the Abu Simbel temples in the 1960s to prevent their submersion.

This particular lithograph, dated November 9, 1836, reflects Roberts' meticulous attention to detail and his fascination with the ancient world. It remains an important example of 19th-century Orientalist art and a testament to the enduring allure of Egypt's cultural heritage.